THE HANDMADE BOOK IS AN ORCHESTRATED OBJECT that every viewer will experience differently. Each encounter is a unique event that is filtered through the lens of one’s culture, life experience, and the prevailing climate. My goal is to create a fusion of abstract ideas and physical interpretation that reveals new meaning through material and form. Through a process of continual experimentation and revision, I strive to integrate all the design elements (typography, image, materials, color, texture, page design and sequence, structure, and weight) to serve the book’s content in harmony and balance. The final orchestration, with sensitivity and restraint, should reveal new intellectual insights for the reader, amplified by the sensual dimension that only a handmade book can impart.
EIDOLON
Winner of a Fine Press Book Association’s Collector’s Prize
at the 2024 Manhattan Book Fair.
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The Eidolon first appears in Homer’s classic epic The Illiad as a pleading spirit whose character is transformed through modern literature into a baleful apparition to be feared and avoided at all costs. This wholly new narration – conceived, designed, and printed by Richard Zauft – reconstructs the writings of Homer, Goethe, Edgar Allen Poe, Walt Whitman, Hart Crane, and others to reinterpret their poetic tales of dread.
Using multiple overlays of text to represent the many voices of the Eidolon and its victims, the effect is a modern day Greek chorus of revenge, murder, and reckoning. EIDOLON is told in four chapters, beginning with the Invocation, followed by The Summoning, The Possession, and concluding with The Reckoning, a cautionary nightmare warning the reader that the timeless Eidolon exists in all of us waiting to be summoned at an unknown time to witness justice.
Letterpress and ink-jet printed on Asuka and Enduroice papers with numerous black ink-dyed sheets. The four chapter images were derived from sculptures photographed at the National Archaeological Museum of Naples. The front and back cover images are photographs of sand patterns created by ebbing waves on a Pacific Ocean beach. The photograph of the Greek temple was taken at Segesta, Sicily. The title typeface and chapter numerals were designed by Richard Zauft. Amy Borezo made the initial prototype binding. Nancy Southworth, Allie Kaplan-Thompson, and Marnie Cobbs collaborated on the final binding. The translucent papers are bound in an exposed sewn spine using white alum-tawed goatskin thongs laced through the translucent, plexiglass covers engraved with the title. This medieval binding technique is integrated with modern day materials. This book is wrapped in a protective natural goatskin.
EIDOLON,
13.1 x 9.3 inches, 90 pages,
edition of 15.
©Richard Zauft Editions, 2024.
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RICHARDZAUFTEDITIONS.com
RICHARDZAUFT.PHOTOGRAPHY
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ENSO
Four Haiku for the Season
Poems by Matsuo Bashō (1644 –1694).
Translations and Epilogue by Lucien Stryk (1924–2013).
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Four seasonal haiku by Matsuo Bashō, with English translations by Lucien Stryk, letterpress printed with four dye-printed photographs by Richard Zauft. Four Kanji symbols were drawn by master calligrapher Chihiro in Hiroshima for this book. They represent, beginning with the first haiku, Spring (Haru), Summer (Natsu), Autumn (Aki), and Winter (Fuyu). Ensō, the Zen circle (of life), is brush drawn by Richard Zauft for the frontispiece. The book is soft-bound in a full, double paper wrapper, and is attached to a wooden rod on the spine that allows it to be suspended inside its handmade mahogany slipcase. The slipcase was fabricated by Woodchuck USA. The typeface is Agaki, designed by Neil Summerour in 2007. The papers are Johannot (texts), Ito-Iri (covers), and Gampi black (endsheets). Concept, design, letterpress printing, photography, and binding by Richard Zauft.
ENSO
12.125” x 8” x 1.125,”
24 pages,
edition of 30,
in mahogony slipcase.
©Richard Zauft Editions 2023
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For more information visit
RICHARDZAUFTEDITIONS.com
RICHARDZAUFT.PHOTOGRAPHY
or contact rzauft@gmail.com
FOR THIS BRIEF TIME
Winner of a Fine Press Book Association’s Collector’s Prize
at the 2022 Manhattan Book Fair.
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Twelve poems by Ingeborg Bachmann, in English, translated by Peter Filkins. In addition to her poems, Bachmann’s words circulate throughout the book as layered, secondary texts appearing behind the poems, between the folded text pages, and behind the photographs in order to capture her echoing internal voice of doubt and desperation.
Six photographic constructions were created by Richard Zauft to interpret Bachmann’s preternatural visions. The book is a custom, side-sewn design, bound by Daniel Kelm, with folded folio fore-edge pages that allow for images and texts to be inserted and viewed through the translucent Kozo paper. The books are covered with Hanji handmade paper that has been chemically etched to create unique patterns on each book. The photographs are ink-jet printed on Kozo sheets that have been inked and salt washed on the back side. The slipcase is covered with Stone Leaf slate sheets made in Italy. Readers access the book by removing it from its heavy enclosure. Bachmann often considered writing, and life, arduous tasks. So it is with accessing the book, reading the layers of text, and mining the meaning of her manic fears and delights.
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Ingeborg Bachmann is considered one of the most important German-language writers of the mid-twentieth century. Born in Austria in 1926, she witnessed the NAZI occupation and came of age in the grim post-war devastation of Europe. In 1952 she received stunning praise for her poetry at the Gruppe 47 gathering of German writers. Her rise to fame was swift as she became the most celebrated writer in post-war Germany. She died tragically in a fire in her Rome apartment in 1973.
Peter Filkins is a poet, translator, essayist, and biographer. He is the recipient of an Outstanding Translation Award from the American Literary Translators Association and the Berlin Prize from the American Academy in Berlin. He wrote the introduction and translated Darkness Spoken: The Collected Poems of Ingeborg Bachmann, published by Zephyr Press in 2006. For this limited edition he helped select the twelve poems, provided the English translations and notes, and wrote the introductory essay, “Time’s Shadow.”
Daniel Kelm is a book artist, book binder, sculptor, and alchemist known for his extensive knowledge of materials. As proprietor of The Wide Awake Garage studio in Easthampton, Massachusetts, he designs and produces handmade books, interpretive fine bindings, and book sculptures. He is the recipient of the 2020 Guild of Book Workers Lifetime Achievement Award for service to the profession of the book arts.
Richard Zauft is a photographer, letterpress printer, and graphic designer whose book work is in institutional and private collections (see COLLECTIONS page).
Concept, design, letterpress printing, photographs, photograph text, and case binding by Richard Zauft.
FOR THIS BRIEF TIME
12” x 8.125” x .25” book
with slate slipcase
15.25” x 10” x 1”.
Edition of 20.
SOLD OUT
©Richard Zauft Editions, 2022.
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For more information visit
RICHARDZAUFTEDITIONS.com
RICHARDZAUFT.PHOTOGRAPHY
or contact rzauft@gmail.com
Book with slate slipcase
Essay by Peter Filkins
Interior page spread
Detail of multiple texts printed on Kozo paper with salt wash texture
Photograph of diary with Bachmann’s notes
THREATENING HEAVEN
Poems by Rainer Maria Rilke
(1875–1926)
Introduction and translations
by Robert Bly
(1926–2021)
Designed, illustrated, and letterpress printed
by Richard Zauft
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Twelve poems in German by Rainer Maria Rilke with an introduction and English translations by Robert Bly. Letterpress printed in two sections sewn into a four-panel monoprint illustration that includes images of constellations, grids, and symbols. Flap-tuck paper binding (no adhesive) in a double-gate folding structure that opens to reveal the title page next to the colophon page. Text paper is Johannot white; the monoprint is printed on Coventry rag vellum white; soft bound covers are handmade “leather hide” paper made in India. Typefaces are Diotima for German text (printed in black); Palatino italic for English translation (printed in gray); Palatino caps for titles (printed in silver); and Gothic German initials designed by Richard Zauft (printed in red).
THREATENING HEAVEN
10.25” x 6.75”
Edition of 50 copies
©Richard Zauft Editions 2004
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For more information visit
RICHARDZAUFTEDITIONS.com RICHARDZAUFT.PHOTOGRAPHY
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POEM FOR THE MAPLE LEAVES
A poem by Andrea Musher,
written in Madison, Wisconsin in 1972
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Designed, letterpress printed, illustrated, and bound by Richard Zauft. A single poem sewn into a handmade red raffia and cotton paper wrapper with a fold-out illustration. Printed on Nideggan paper using Centaur and Arrighi types.
POEM FOR THE MAPLE LEAVES
10.5” x 7,”
Edition of 50
©Richard Zauft Editions 1982
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For more information visit
RICHARDZAUFTEDITIONS.com
RICHARDZAUFT.PHOTOGRAPHY
or contact rzauft@gmail.com